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RB Morris
— Biography (2010)
RB Morris is
a singer-songwriter, poet, playwright who has spent most of his life in
Knoxville and in the mountains of East Tennessee. He grew up on old-timey
music and gospel and rock 'n' roll, but an older brother pointed him to other
influences— Southern writers, the novels of Joyce, the poetry of Arthur
Rimbaud and the music of Bob Dylan. He played his way through the clubs and
honkytonks of the mountains, first with bands with old-time fiddlers and then
later with groups that rocked. He traveled the U.S., Canada, Mexico and
Europe, then back up into the Appalachians, where he lived for a year in near
seclusion in a primitive cabin. Later, on the road to the West to San
Francisco—the patron city of the Beats—he moved in the circles that surrounded
poets Allen Ginsberg and Gregory Corso and novelist William Burroughs.
Back in
Knoxville, Morris focused on writing and performing his poetry. He edited a
literary magazine,
Hard Knoxville
Review, which attracted a
cult following that included the avant-garde in this country and in Europe. He
also wrote a one-man play,
The Man Who Lives
Here Is Loony, about the
turbulent life of writer James Agee, who grew up in Knoxville. Later, Morris
played Agee in a video version of the play. When he returned to playing music
with bands, Morris mixed his poetry-as-performance-art with original songs to
create provocative and unpredictable shows.
When RB went
to Nashville in the mid- 90’s, he hooked up with writers Lucinda Williams,
Steve Earle, and John Prine and made his debut CD,
Take That Ride,
on John Prine's O Boy Records. The disc features players Kenny Vaughan on
guitar, Dave Jacques on bass, Paul Griffith on drums, and Carmella Ramsey on
fiddle and background vocals, and guest appearances by Prine, Lucinda Williams
and Al Kooper. It was produced by R.S. Field (Billy Joe Shaver, Webb Wilder,
John Mayall and Sonny Landreth). Many music journalists and magazines across
the country reviewed
Take That Ride as one of the
Top 10 CDs of the year. Dave Marsh, of
Rolling Stone,
called it, “The kind of debut that makes you lust for a follow-up.”
Zeke and the Wheel
on Koch Records, followed in 1999, and was nominated for
Americana CD of the Year by the American Federation of Independent
Merchandisers. It has been reviewed as a breakthrough work combining rock,
poetry and mythology. Venerable Nashville music writer Peter Cooper described
Zeke and
the Wheel as “an
eccentric melding of blistering rock ‘n’ roll, beat poetry, hillbilly twang,
spiritual musings and road-weary, punch-drunk tales from life’s other side.”
Empire (2007)
presents five new songs that reflect Morris' remarkable live shows, resonating
with honkytonk energy and inspired episodes of poetry. Look for it in a CD
store near you.
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